
JURY OF 53rd IJMC
Alexander Boldachev, selector (Russia/Switzerland)
Alexander Boldachev is a Swiss-Russian artist pushing the boundaries of how people identify the harp in the 21st century. Alexander creates unique adventures in his concerts with his innovative approach and refusal to conform to stereotypes. He has become a modern harp and music ambassador, focusing on including all generations of the public. Alexander won more than 20 different competitions and prizes for performing and composing, including Kleiner Prix Walo (CH), Aoyama Prize (JP), Akademia Award (USA), ProEuropa (EU) As a classically educated harpist (professor – Catherine Michel), composer, and conductor, Alexander has mastered various musical genres, including classical, crossover, rock covers, and neoclassical vibes. He has performed at some of the world’s most prestigious venues, such as the Bolshoi Theatre, Carnegie Hall, and Theatre Colon, as well as the Burning Man, FIFA World Cup Opening, and late-night shows with experimental programs. Alexander’s creativity extends beyond his live performances, as he is a prolific composer with a unique style that blends tradition with innovation. He has created original works and improvisations that showcase his passion for the harp and music, including film and theatre scores, works with orchestra, e-music, and hundreds of arrangements and covers. Many works and covers are already recorded and can be found on streaming services. Aside from his busy performing schedule, Alexander is passionate about sharing his knowledge and training methods with aspiring musicians worldwide. He was invited to work with the students at top institutions like Juilliard, Liszt, and Royal Academies of Music, Conservatories of Milano, Toronto, Beijing, Moscow, São Paulo, and Buenos Aires. He is a member of the Jury of the International Harp Contest in Israel, as well as Artist-in- Residence at UCLA. With an open mind to collaborations and a readiness to work with diverse instruments, singers, and choreographers, Alexander continues to do innovative cultural research. His creativity also extends to organizing projects such as the Harp Festival Zürich and World Harp Day, which celebrate the beauty and diversity of his instrument. In addition to his artistry, Alexander is also known for his humanitarian work. He has taken a clear anti-war position and founded a society in Zürich called LYUDẎ: Cultural Solidarity to help refugees and arrange charity actions in Switzerland and worldwide.

Milena Stanišić, selector (Serbia)
Milena Stanisic is a Full Professor at the Faculty of Music, University of Arts in Belgrade. Previously she held the position of the principal harpist in the Opera Orchestra of the National Theatre in Belgrade (1994-2012). Additionally, she served as the principal harpist of the Belgrade Philharmonic Orchestra and played as a member of all orchestras in Serbia, and many in the region. Stanisic performs regularly as a soloist and chamber musician. She performed at numerous concerts and festivals in Serbia, the region of western Balkans, and abroad, including performances at the World Harp Congresses in Geneva, Vancouver, Sydney, and Hong Kong and at the international harp festivals in Rio de Janeiro and Saint Petersburg (“Northern Lyra”). She performed as a soloist with several orchestras (Serbia Radio and TV Symphony Orchestra, St. George String Orchestra, Skovran String Orchestra, Vancouver Symphony Orchestra, Sarajevo Philharmonic String Orchestra, Marinsky Theatre Orchestra, Metamorphosis, etc.). She has four published CDs, two of them with music by Serbian composers. Many new pieces were dedicated to her. Stanisic was the leader of several artistic projects with strong artistic research aspects. She has participated at two European platforms for artistic research in music – in Stockholm and in Cluj-Napoca. She is also a member of a working group for artistic research at the University of Arts in Belgrade. Stanisic finished her undergraduate and postgraduate studies of harp with Professor Milica Barić at the Faculty of Music in Belgrade, and she has spent two years at the Royal Northern College of Music in Manchester, as a recipient of the Headley Trust full scholarship, studying with Mr. Frank Sternefeld. She actively participated in the master classes of David Watkins, Elisabeth Fontan-Binoche, Skaila Kanga, Ann Griffiths, Jana Bouškova, Anna Levina, Ion Ivan Roncea and Susanna Mildonian. Stanisic successfully finished Doctoral studies under mentorship of Professor Ljiljana Nestorovska in 2016. Stanisic has won prizes in several competitions, including the First prize at the “Young Musician of the Year” competition in England (1997) and the first special prize at the “Petar Konjović” International Music Competition (1994). In 1994 she also received the City of Belgrade Youth October Prize, as well as the City of Belgrade Prize “Despot Stefan Lazarevic” in 2020. She was one of the founders of the Serbia Harp Association, and today she is the President of the Association. Also, she was one of the founders of the Belgrade International Harp Festival (in 2002) and has functioned as a member of the Artistic Board of the Festival ever since. She is regularly engaged in voluntary work with children with Down syndrome, blind and visually impaired people, and other groups of persons with special needs.

Ljiljana Nestorovska (Serbia)
Ljiljana Nestorovska, a full professor at the Faculty of Music in Belgrade, is recognized for her exceptional communication, organizational, and problem-solving skills, as well as her dedication, determination, and ability to inspire teamwork. Her leadership as the longtime Head of the Polyinstrumental Department enriched the artistic activities of the department, improved its infrastructure and academic programs, and expanded the influence of the Faculty of Music both nationally and internationally. A distinguished artist and educator, Nestorovska combines remarkable artistic talent, performance excellence, and pedagogical expertise. Her optimism and creativity inspire both students and colleagues to strive for continual growth. She has elevated the Harp Department to regional prominence and positioned it among Europe’s finest. Her advancements in harp pedagogy have contributed significantly to the instrument’s development in Serbia and neighboring countries. Her contributions have been recognized with awards, including the Faculty of Music’s Certificate of Appreciation (1999, 2013) and the University of Arts in Belgrade’s Silver Medal (2003). Since joining the Faculty in 1997, Nestorovska has mentored over 20 graduates, including master’s and specialist students, with several receiving prestigious scholarships. Her students have earned over 130 awards at competitions, and many have become successful orchestral musicians and educators internationally. Parallel to her teaching, Nestorovska has built a successful concert career, performing at esteemed events like the World Harp Congresses and collaborating with notable conductors and orchestras. She regularly performs in chamber ensembles and has been instrumental in inspiring Serbian composers to create new works for the harp, many of which she has premiered. Nestorovska also actively contributes to the academic and artistic community as president of the Polyinstrumental Section of the Music Educators’ Association, a member of the Harpists’ Association Presidency, and a founder of the International Harp Festival in Belgrade. Her multifaceted contributions have significantly enhanced the status of the harp and the Faculty of Music in Serbia and beyond.

Jason Chang (China)

Catherine Michel (France)
Catherine Michel was born in Amiens, where she studied the harp, piano and music theory with her mother. After her mother’s untimely passing, Pierre Jamet took the young girl under his wing and she entered the National Conservatoire for Dance and Music (CNSM) in Paris, where she was awarded a First Prize diploma at the age of 15. She won two major international awards, in Israel and the United States, as well as a Gold Medal at the Paris Competition. She joined the Radio France National Orchestra in 1971, performing under the conductors L. Maazel, P. Paray, J. Martinon, K. Böhm, S. Celibidache, L. Bernstein, M. Rostropovitch, to name but a few. In 1978 she became a harpist with the Paris Opera. Her first recordings for the Philips and Vox labels introduced listeners to seldom-performed concertos. She recorded concertos by Villa Lobos, Rodrigo and Castelnuovo-Tedesco with the Monte Carlo Orchestra; as well as Glière, Reinecke, Pierné and Saint-Saëns with the Radio Luxembourg Orchestra. She worked together with François Lesur to create a repertoire of harp music published in the 18th century. It was with Leonard Bernstein that the idea came up, in 1990, of adapting major musical comedies for harp and orchestra. After this unique musician passed away, she got together with M. Legrand to record her first album of film music, winning the French Victoires de la Musique award in the same year. Together they recorded four CDs for the Naïve and Universal labels. Over at EMI she accompanied the leading trumpet player Maurice André, performing a variety of works, ranging from Bach to Steven Sondheim, with the Normandy Chamber Orchestra and the London Philharmonic Orchestra. Her teaching duties took her to Dublin, to the Hochschule für Musik in Hamburg, then in Detmold followed by the one in Zurich, which she left in 2010 to focus on her career as a soloist and visiting professor.

Felice Pomeranz (USA)
Felice Pomeranz is professor of harp at Berklee College of Music. She began the harp program in the String Department in 2002. She has advanced degrees from New England Conservatory in both classical and jazz harp. She is the first and, currently, the only harpist to receive a master’s degree in jazz studies at NEC. Felice has been a clinician and performer at festivals throughout the US, Europe, Australia, and the Caribbean. Her classical and popular arrangements are available through harp outlets, and on her website, as are her recordings Tomorrow’s Dream, Felicidade, her instructional DVD Jazzy Beginnings, and the CD/workbook Harp in the Band, Vol.1. Felice owns and directs the popular harp referral network, the Gilded Harps, organizing events throughout New England and beyond. She has been very active in the American Harp Society, serving many roles, including chairman of the Board of Directors. Her American Harp Society Foundation Award, Kids for Camp, provides a summer camp experience for young, underprivileged harpists.

Dragana Jovanović
(Serbia)
Dragana S. Jovanović is a distinguished composer and Associate Professor at the Faculty of Music Arts in Belgrade, specializing in Music Theory. With her academic foundation rooted in the Faculty of Music Arts in Belgrade, she has completed her undergraduate, master’s, and doctoral studies in composition. Jovanović’s professional journey is marked by a progression through roles at the Faculty of Music Arts, including assistant, docent, and, since 2012, associate professor. Her teaching repertoire encompasses subjects such as harmony, harmonic analysis, counterpoint, and musical arrangement. Her contributions to the field extend to administrative and evaluative roles, including serving on committees for exams, scheduling, and the establishment of the jazz and popular music department. Her work is celebrated with awards such as the Golden Badge of the Cultural and Educational Community of Serbia (2010) and accolades for her compositions, including international recognition in Bologna, Italy. As a composer, Jovanović’s oeuvre spans an array of genres, from orchestral and chamber music to multimedia projects. Her compositions have been performed internationally, demonstrating her global artistic influence. Additionally, she has composed applied music for films, television series, and theater productions, showcasing her versatility. A prolific author, Jovanović has published educational materials and research articles focused on harmony pedagogy and musical analysis. Her published works and CDs reflect her dedication to advancing music education and creative expression. Dragana S. Jovanović’s enduring impact on music, education, and culture establishes her as a prominent figure in Serbian and international artistic circles.

AWARDS
- One first prize of 3000 euros and invite to hold a concert in the production of both Camac Harps and Salvi Harps (part of that prize includes the performer’s fee, paid travel and accommodation)
- One second prize of 2000 euros
- One third prize of 1000 euros
- 5000€ awarded by Jeunesses Musicales International for the first prize.
- A special prize that rewards awardee with a website developed by inClassics.
- Each participant will be rewarded 250 euros, which they can spend on website development with people from the inClassic.
- Ilija M. Kolarac Endowment Award for the best finalist, according to the audience votes, in the concert season of Kolarac Endowment.
- All finalists who are citizens of Serbia will receive the title of resident artist of JM Serbia, Belgrade.
- All the finalists will receive a diploma
- All the finalists will receive a ducat with White Angel from the jewelry store Dukati Srbije.
I STAGE COMPETITORS

Xinyue Zhang, China (2002)
I stage
A) Gabriel Fauré: Impromptu Op. 86
B) Johan Sebastian Bach: Toccata and fugue
C) Henriette Renié: Pièce Symphonique
II stage
А) Marcel Tournier: Sonatine pour Harpe Op. 30
B) Gioachino Rossini, Charles Bochsa: Rondo ‘Zitti zitti’ on the Trio from ‘Il Barbiere di Siviglia’
C) Al Ravin: Puzzle; J.S. Bach French Suite No.2 BWV.813
FINALS
A) Dragana Jovanović: Arpa Concerto (3rd and 4th movement)
B) Germaine Tailleferre: Concertino pour Harpe

Léna Jallon, France/Switzerland (1999)
I stage
A) Gabriel Fauré: Impromptu Op. 86
B) Domenico Scarlatti: Sonata in F minor K.19
C) Henriette Renié: Légende
II stage
А) Paul Hindemith: Sonata für Harfe
B) Ekaterina Walter-Kühne: Fantasy on Themes from the Opera ‘Eugene Onegin’ by Tchaikovsky
C) Louis Spohr: Fantaisie; Gabriel Pierné: Impromptu-Caprice; Esteban Benzecry: Alwa
FINALS
A) Dragana Jovanović: Arpa Concerto (3rd and 4th movement)
B) Camille Saint-Saëns: Morceau de Concert for Harp and Orchestra, Op. 154

Anđela Stanković, Serbia (1998)
I stage
A) Gabriel Fauré: Impromptu Op. 86
B) George Friderich Handel: Suite in d-minor HWV437; Domenico Scarlatti: Sonata K380
C) Félix Godefroid: Carnaval de Venice Op. 184
II stage
А) Paul Hindemith: Sonata für Harfe
B) Bedřich Smetana, Hanuš Trneček: Fantasia on Themes from the Symphonic Poem ‘The Moldau’
C) Alexander Alyabyev: Le Rossignol (arr. Franz Liszt/trans.Henriette Renié); Stevan Stojanović Mokranjac: Dunavka No.1 & No.2; Henriette Renié: Ballade fantastique
FINALS
A) Dragana Jovanović: Arpa Concerto (3rd and 4th movement)
B) Camille Saint-Saëns: Morceau de Concert for Harp and Orchestra, Op. 154

Jia Yao, China (2005)
I stage
A) Gabriel Fauré: Impromptu Op. 86
B) Domenico Scarlatti: Sonata in E major (K24 L495)
C) Carlos Salzedo: Variations on a Theme in Ancient Style
II stage
А) Germaine Tailleferre: Sonate pour Harpe
B) Elias Parish Alvars: Introduction and Variations on Themes from Bellini’s Opera ‘Norma’
C) Johan Sebastian Bach: Partitas BWV825 (Arranged for harp by María Louisa Rayan-Forero); Wolfgang Amadeus Mozart: Sonata in C major K330
FINALS
A) Dragana Jovanović: Arpa Concerto (3rd and 4th movement)
B) Mario Castelnuovo-Tedesco: Concertino for Harp and Chamber Orchestra Op. 93

Ye Ziqian, China (2009)
I stage
A) Reinhold Glière: Impromptu
B) Johann Sebastian Bach: Chaconne
C) Félix Godefroid: Carnaval de Venice Op. 184
II stage
А) Paul Hindemith: Sonata für Harfe
B) Elias Parish Alvars: Introduction and Variations on Themes from Bellini’s Opera ‘Norma’
C) H.renie: Legende
FINALS
A) Dragana Jovanović: Arpa Concerto (3rd and 4th movement)
B) Camille Saint-Saëns: Morceau de Concert for Harp and Orchestra, Op. 154

Irina Pejoska, Serbia (2002)
I stage
A) Gabriel Fauré: Impromptu Op. 86
B) Domenico Scarlatti: Sonata K113; Sonata K466
C) Henriette Renié: Pièce Symphonique
II stage
А) Paul Hindemith: Sonata für Harfe
B) Albert Zabel: Fantaisie Op. 12 on ‘Faust’ by Charles Gounod
C) J. S. Bach: Toccata and Fugue in D Minor BWV 565; The Minstrel’s Suicide after „The Minstrel’s Adieu to his Native Land” by John Thomas
FINALS
A) Dragana Jovanović: Arpa Concerto (3rd and 4th movement)
B) Mario Castelnuovo-Tedesco: Concertino for Harp and Chamber Orchestra Op. 93

Minja Stojanović, Serbia (2002)
I stage
A) Gabriel Fauré: Impromptu Op. 86
B) Domenico Scarlatti: Sonata K466; Sonata K113
C) Henriette Renié: Pièce Symphonique
II stage
А) Marcel Tournier: Sonatine pour Harpe Op. 30
B) Ekaterina Walter-Kühne: Fantasy on Themes from the Opera ‘Eugene Onegin’ by Tchaikovsky
C) Johann Sebastian Bach: Toccata & Fugue in D Minor, BWV 565; Jean-Michel Damase: Sicilienne variée
FINALS
A) Dragana Jovanović: Arpa Concerto (3rd and 4th movement)
B) Mario Castelnuovo-Tedesco: Concertino for Harp and Chamber Orchestra Op. 93

Zhong Ming Wan, Canada (2005)
I stage
A) Gabriel Fauré: Impromptu Op. 86
B) Domenico Scarlatti: Sonata k.208; Sonata k.209
C) Henriette Renié: Pièce Symphonique
II stage
А) Paul Hindemith: Sonata für Harfe
B) Elias Parish Alvars: Introduction and Variations on Themes from Bellini’s Opera ‘Norma’
C) Johann Sebastian Bach: Toccata and Fugue in D minor, BWV 565; Richard Wagner: Isoldes Liebestod, transcription for harp by Sylvain Blassel
FINALS
A) Dragana Jovanović: Arpa Concerto (3rd and 4th movement)
B) Mario Castelnuovo-Tedesco: Concertino for Harp and Chamber Orchestra Op. 93

Marika Cecilia Riedl, Germany (1996)
I stage
A) Gabriel Fauré: Impromptu Op. 86
B) Domenico Scarlatti: Sonata in A Major, K208; Sonata in E minor, K198
C) Wilhelm Posse: Carnaval de Venice
II stage
А) Germaine Tailleferre: Sonate pour Harpe
B) Gioachino Rossini, Charles Bochsa: Rondo ‘Zitti zitti’ on the Trio from ‘Il Barbiere di Siviglia’
C) Carlos Salzedo: Variations on a Theme in Ancient Style; Pearl Chertok: Around the clock
FINALS
A) Dragana Jovanović: Arpa Concerto (3rd and 4th movement)
B) Camille Saint-Saëns: Morceau de Concert for Harp and Orchestra, Op. 154

Zoé Buyck, France (2007)
I stage
A) Gabriel Fauré: Impromptu Op. 86
B) Georg Friedrich Händel: Harpsichord Suite HWV427
C) Mikhail Mchedelov: Variations on a Theme of Paganini
II stage
А) Paul Hindemith: Sonata für Harfe
B) Elias Parish Alvars: Introduction and Variations on Themes from Bellini’s Opera ‘Norma’
C) Sergeï Prokofiev: Prélude in C; Heinz Hölliger: Arioso and Passacaille; Marcel Grandjany: Rhapsody
FINALS
A) Dragana Jovanović: Arpa Concerto (3rd and 4th movement)
B) Germaine Tailleferre: Concertino pour Harpe

Taja Rijavec, Slovenia (2000)
I stage
A) Gabriel Fauré: Impromptu Op. 86
B) Domenico Scarlatti: Sonata in A Major, K208; Sonata in F minor, K466
C) Marcel Grandjany: Rhapsodie
II stage
А) Paul Hindemith: Sonata für Harfe
B) Bedřich Smetana, Hanuš Trneček: Fantasia on Themes from the Symphonic Poem ‘The Moldau’
C) Philip Hersant: Bamyan; Reinhold Gliere: Impromptu; Alojz Srebotnjak: Prelude no. 2 and 4
FINALS
A) Dragana Jovanović: Arpa Concerto (3rd and 4th movement)
B) Camille Saint-Saëns: Morceau de Concert for Harp and Orchestra, Op. 154

Aleksandra Radovanović, Serbia (2005)
I stage
A) Albert Roussel: Impromptu Op. 21
B) Johan Sebastian Bach, Marcel Grandjany: Etude No.3; George Fridrich Händel: Harp Concerto in B flat major, 1st movement
C) Mikhail Mchedelov: Variations on a Theme of Paganini
II stage
А) Germaine Tailleferre: Sonate pour Harpe
B) Ekaterina Walter-Kühne: Fantasy on Themes from the Opera ‘Eugene Onegin’ by Tchaikovsky
C) Marcel Grandjany: Fantaisie sur un Theme de Haydn; Ludmila Frajt: Prelude 1 and 2; Jean-Baptiste Cardon: Sonata in F minor
FINALS
A) Dragana Jovanović: Arpa Concerto (3rd and 4th movement)
B) Camille Saint-Saëns: Morceau de Concert for Harp and Orchestra, Op. 154

Josefien De Waele, Belgium (1997)
I stage
A) Gabriel Fauré: Impromptu Op. 86
B) Domenico Scarlatti: Sonata K.198; Sonata K.208
C) Henriette Renié: Ballade Fantastique
II stage
А) Paul Hindemith: Sonata für Harfe
B) Bedřich Smetana, Hanuš Trneček: Fantasia on Themes from the Symphonic Poem ‘The Moldau’
C) -Marcel Tournier: Danse du Moujik, Jean-Philippe Rameau: Le Rappel des Oiseaux, Luciano Berio: Sequenza II, Pearl Chertok: Harpicide at Midnight
FINALS
A) Dragana Jovanović: Arpa Concerto (3rd and 4th movement)
B) Jean-Michel Damase: Concertino for Harp and Chamber Orchestra

Qi Han, China (1999)
I stage
A) Gabriel Fauré: Impromptu Op. 86
B) Domenico Scarlatti: Sonata K87; Sonata K198
C) Henriette Renié: Pièce Symphonique
II stage
А) Germaine Tailleferre: Sonate pour Harpe
B) Elias Parish Alvars: Introduction and Variations on Themes from Bellini’s Opera ‘Norma’
C) Alfred Desenclos: Fantaisie for harp
FINALS
A) Dragana Jovanović: Arpa Concerto (3rd and 4th movement)
B) Mario Castelnuovo-Tedesco: Concertino for Harp and Chamber Orchestra Op. 93

Marija Zoroja, Serbia (2000)
I stage
A) Gabriel Fauré: Impromptu Op. 86
B) Domenico Scarlatti: Sonata in B minor, K87; Sonata in A Major, K209
C) Henriette Renié: Pièce Symphonique
II stage
А) Paul Hindemith: Sonata für Harfe
B) Bedřich Smetana, Hanuš Trneček: Fantasia on Themes from the Symphonic Poem ‘The Moldau’
C) Johann Sebastian Bach: Toccata and Fugue in D minor, BWV 565 (arr. Milda Agazarian); Pearl Chertok: Around the Clock Suite
FINALS
A) Dragana Jovanović: Arpa Concerto (3rd and 4th movement)
B) Mario Castelnuovo-Tedesco: Concertino for Harp and Chamber Orchestra Op. 93